A cameraman has a lot of work to do on set. Directing the Gaffer as to where to put the lights and creating that perfect lighting is just one task and being able to think up new angles and camera movements freely is the most fun part of the job. Getting to see your final work on the big screen can be a whole new magical experience, totally separate from those on set.
To see your audience has been affected the way you wanted them is a treat as a cameraman. When the audience feels how you want them to after watching your movie, a sense of accomplishment arises within. The blood, sweat and tears that are poured into creating a movie are well worth it when the movie is said and done.
A cameraman claims the job of visualizing all the elements of the picture-and hardly anyone can do that with light-which is one of the hardest parts of my job as a cameraman. It takes patience and a good eye to assemble all elements creatively and think of creative lighting set-ups. Mimicking the feeling of "being there," with the camera also takes a good eye and agility. One must be fit in order to hold a camera without shaking for long takes, so build your muscle and your stamina!
The cameraman takes longer than everyone else in the crew because they have to prep the camera. Even though there are camera assistants, cameras consist of many small, delicate pieces and must be handled with extreme care. Working on set as a cameraman means you go to work early and stay late because of the camera and how long it takes to prep.
It's always a good idea to thoroughly check every piece of camera equipment you rent to make sure it works the way it's supposed to. Camera equipment tends to be on the heavy side-especially equipment rented from such large places like Panavision or Arri-so it's a good idea to stay in shape and lift weights so you can move all the heavy cases of camera equipment as fast and carefully as possible. Working in the crew on set requires that you are able to move quickly without hurting yourself or others on set.
Getting into the industry as a cameraman is very difficult and takes a lot of time, patience and work. Knowing everything about most cameras and staying on top of the new ones that come out is important so that you can have a wider base of "camera intelligence" and pick up more jobs. The more creative you are, the more people will want to work with you.
Creativity and perseverance are key in this industry. The more creative, outspoken and efficient you are, the more people are going to want to work with you. Knowledge of the cameras you work with is also key, as you should know at least a little bit about all cameras currently in the industry.
Half of the game is just meeting other camera people and networking. The Head Prop Master for Warner Bros. once told me, "In this industry, it's good to be nice to everyone because you never know when you may need someone even like a plumber. What if one of the toilets on set break onE day? You'll know whom to call, and he might even give you a discount! Happened to me! - 42265
To see your audience has been affected the way you wanted them is a treat as a cameraman. When the audience feels how you want them to after watching your movie, a sense of accomplishment arises within. The blood, sweat and tears that are poured into creating a movie are well worth it when the movie is said and done.
A cameraman claims the job of visualizing all the elements of the picture-and hardly anyone can do that with light-which is one of the hardest parts of my job as a cameraman. It takes patience and a good eye to assemble all elements creatively and think of creative lighting set-ups. Mimicking the feeling of "being there," with the camera also takes a good eye and agility. One must be fit in order to hold a camera without shaking for long takes, so build your muscle and your stamina!
The cameraman takes longer than everyone else in the crew because they have to prep the camera. Even though there are camera assistants, cameras consist of many small, delicate pieces and must be handled with extreme care. Working on set as a cameraman means you go to work early and stay late because of the camera and how long it takes to prep.
It's always a good idea to thoroughly check every piece of camera equipment you rent to make sure it works the way it's supposed to. Camera equipment tends to be on the heavy side-especially equipment rented from such large places like Panavision or Arri-so it's a good idea to stay in shape and lift weights so you can move all the heavy cases of camera equipment as fast and carefully as possible. Working in the crew on set requires that you are able to move quickly without hurting yourself or others on set.
Getting into the industry as a cameraman is very difficult and takes a lot of time, patience and work. Knowing everything about most cameras and staying on top of the new ones that come out is important so that you can have a wider base of "camera intelligence" and pick up more jobs. The more creative you are, the more people will want to work with you.
Creativity and perseverance are key in this industry. The more creative, outspoken and efficient you are, the more people are going to want to work with you. Knowledge of the cameras you work with is also key, as you should know at least a little bit about all cameras currently in the industry.
Half of the game is just meeting other camera people and networking. The Head Prop Master for Warner Bros. once told me, "In this industry, it's good to be nice to everyone because you never know when you may need someone even like a plumber. What if one of the toilets on set break onE day? You'll know whom to call, and he might even give you a discount! Happened to me! - 42265
About the Author:
Check out employment of the mini series camera operator at Mark Anthony Cella's site.
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