Having a creative edge and knowing how to set up lights so that they create a specific mood is only a small part of a cameraman's work. A lot of cameramen are proud of their work, especially if they've joined the union. With a good editor, the end result of your work can look even better before and shock your audience.
To see your audience has been affected the way you wanted them is a treat as a cameraman. When the audience feels how you want them to after watching your movie, a sense of accomplishment arises within. The blood, sweat and tears that are poured into creating a movie are well worth it when the movie is said and done.
To be a cameraman means that you have to creatively design a picture in the frame-which is incredibly difficult if you think about all the aspects in the shot that have to become unified-lights, props, the whole ambiance of the shot, have to be captured appropriately. To be able to unify all these elements takes a well-trained eye and good, creative vision.
Showing up to work early and staying late are a standard procedure in a cameraman's job because it takes so long to prep a camera. Sometimes, a cameraman ends up taking longer than anyone else in the crew because of prep-time. Bigger cameras are more delicate than smaller ones and come with a lot smaller pieces. Every piece of the camera has its own case-which means more to watch over.
It's always a good idea to thoroughly check every piece of camera equipment you rent to make sure it works the way it's supposed to. Camera equipment tends to be on the heavy side-especially equipment rented from such large places like Panavision or Arri-so it's a good idea to stay in shape and lift weights so you can move all the heavy cases of camera equipment as fast and carefully as possible. Working in the crew on set requires that you are able to move quickly without hurting yourself or others on set.
Getting your "foot in the door" as a cameraman (or any crew member for that matter) is incredibly hard and requires a lot of time, persistence and ambition. Being able to operate and put together numerous cameras is an important skill to acquire in your camera career as well so you can be quick and efficient getting ready to shoot every day of the production. Lagging is bad in production work because there is never any time to waste. The quicker and more efficient you are at putting cameras together and operating them, the more jobs you'll attain.
Creativity and perseverance are key in this industry. The more creative, outspoken and efficient you are, the more people are going to want to work with you. Knowledge of the cameras you work with is also key, as you should know at least a little bit about all cameras currently in the industry.
In my opinion, freelance camerawork is the most difficult kind of camerawork because it's like living on the edge. As with any freelance job, you live from job to job, acquiring a sum of money that you'll have to budget for some time. However, no job is a promise and sometimes you can lose one merely days before you were supposed to start. Getting jobs in the film industry has most to do with meeting other camera people and networking. Making friends is key! - 42265
To see your audience has been affected the way you wanted them is a treat as a cameraman. When the audience feels how you want them to after watching your movie, a sense of accomplishment arises within. The blood, sweat and tears that are poured into creating a movie are well worth it when the movie is said and done.
To be a cameraman means that you have to creatively design a picture in the frame-which is incredibly difficult if you think about all the aspects in the shot that have to become unified-lights, props, the whole ambiance of the shot, have to be captured appropriately. To be able to unify all these elements takes a well-trained eye and good, creative vision.
Showing up to work early and staying late are a standard procedure in a cameraman's job because it takes so long to prep a camera. Sometimes, a cameraman ends up taking longer than anyone else in the crew because of prep-time. Bigger cameras are more delicate than smaller ones and come with a lot smaller pieces. Every piece of the camera has its own case-which means more to watch over.
It's always a good idea to thoroughly check every piece of camera equipment you rent to make sure it works the way it's supposed to. Camera equipment tends to be on the heavy side-especially equipment rented from such large places like Panavision or Arri-so it's a good idea to stay in shape and lift weights so you can move all the heavy cases of camera equipment as fast and carefully as possible. Working in the crew on set requires that you are able to move quickly without hurting yourself or others on set.
Getting your "foot in the door" as a cameraman (or any crew member for that matter) is incredibly hard and requires a lot of time, persistence and ambition. Being able to operate and put together numerous cameras is an important skill to acquire in your camera career as well so you can be quick and efficient getting ready to shoot every day of the production. Lagging is bad in production work because there is never any time to waste. The quicker and more efficient you are at putting cameras together and operating them, the more jobs you'll attain.
Creativity and perseverance are key in this industry. The more creative, outspoken and efficient you are, the more people are going to want to work with you. Knowledge of the cameras you work with is also key, as you should know at least a little bit about all cameras currently in the industry.
In my opinion, freelance camerawork is the most difficult kind of camerawork because it's like living on the edge. As with any freelance job, you live from job to job, acquiring a sum of money that you'll have to budget for some time. However, no job is a promise and sometimes you can lose one merely days before you were supposed to start. Getting jobs in the film industry has most to do with meeting other camera people and networking. Making friends is key! - 42265
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